/Art, as a context, is a lens, through which we reinterpret the ordinary. In this way, art can be in its own focus. Art can be characterized by spontaneity, intuition and playfulness. Science, on the other hand, is a goal oriented examination, where mistakes aren’t allowed. The equipment has a well-defined function and every experiment can be repeated and is documented.
/In this event we try to reproduce some high school physics experiments in a new context, and as a by-product, the equipment can get some secondary interpretation as works of art. The experiments return to their playful states, the physical phenomenon becomes a miracle.
/During this event we use only camera and analog video manipulator machines
Collaboration with Demo Node
The installation consists of two parts. First an automatic robot, which moves inside a separated circle shaped area. A videocamera attached to the robot’s head captures the surroundings from the robot’s point of view. In the camera there is only one row of pixels activated, so it functions as a kind of digital photo-finish camera. A microcontroller connected to a receiver is transferring each pixels grayscale tone to special ascii caracters and transmitting this information (sent by the robot) constantly to the other part of the installation, a matrix printer, which is continuously printing on an endless roll of paper.
The project’s substantive question is: how can human reception interpret the vision of the present complex visual imaging systems? The robot looks and moves without any external order, so it actually gets around the artist’s omnipotence. The process’ result is the printed picture. In this picture time and space are merged due to the nature of the technology. The ‘infinite’ roll of paper emphasizes this interlocking and reflects on the continuous data flow of these devices.